the opportunity for world-renowned artists to visit NSCAD and share
their experience and expertise with students, staff, faculty and the
greater Halifax community;
provides an opportunity to enhance
NSCAD's presence while engaging the public; and,
enhances academic programs through the enrichment of learning
opportunities by superb, master artists during their visit to NSCAD.
Otto Künzli, Swiss-trained, Munich-based artist jeweller
February 9, 2017 at Halifax Central Library
Detlef Hartung (Hartung and Trenz) and Bettina Pelz, curator
November 22, 2016 at Halifax Central Library
Cologne based artist Detlef Hartung and curator Bettina Pelz presented the work of Hartung and Trenz with a special focus on their artistic approach to site specific light-text-installations in public space while highlighting light art festivals where Hartung and Trenz participated.
This lecture is an introduction to the upcoming light art festival RESPONSIVE, curated by Melanie Colosimo, Peter Dykhuis and Bettina Pelz, occurring in Fall 2017.
September 27, 2016 at Halifax Central Library
For First Nations artist, activist and musician Alan Syliboy, stories are the threads that tie the Mi’kmaq people together, making them aware of their identity and place in the world.
NSCAD Alumni Alan Syliboy was born and raised in Truro and lives in the Millbrook First Nations community. Among many achievements, in 2007 Alan took part in creating illustrations for the novel The Stone Canoe: Two Lost Mi’kmaq Tales, which inspired him to continue his use of the Little Thunder character throughout his works, even co-writing a song for his band Lonecloud, called Little Thunder.
In 2009 Alan collaborated with Nance Ackerman and Paton Francis to create the animation, Little Thunder for the Vancouver 2010 Olympics using Alan’s interesting and beautiful style. The animation showcased the true magnificence of his artwork and solidified its incredible potential.
Alan has looked to the indigenous Mi'kmaq petroglyph tradition (rock drawings) for inspiration and developed his own artistic vocabulary out of those forms. They are both beautiful and inspirational and speak of a rich culture and tradition. He is currently working on a graphic novel which features Little Thunder.
March 18, 2016, Bell Auditorium, Fountain Campus
Mark Lewis is a Canadian artist who lives and works in London. His film and digital moving image works are frequently depictions of everyday life produced through the use of cinematographic techniques and they make subtle and often accidental allusion to the wider tradition of film, photography and painting. His most recent works include a series of films shot in the Korean DMZ and the film project Invention that imagines a contemporary city with no cinema or moving image devices. In this scenario, the city itself is the cinema, focussing on the intense concentration of moving bodies, shadows and reflections. The project spans exhibitions Mark Lewis had at the Musée du Louvre in October 2014 and at the 31st Bienal de São Paulo and culminated in a feature film titled Invention which premiered at Toronto International Film Festival in September 2015.
Lewis is also a co-founder and co-director of Afterall, a publication and research organisation based in Central Saint Martins College of Art and Design, London. In 2009 he represented Canada at the 53rd Venice Biennale and he has exhibited at the Van Abbemuseum (Eindhoven), National Gallery of Canada, MoMA (New York), BFI Southbank (London), Centre Pompidou (Paris) amongst others.
Tim Rollins and Angel Abreu, K.O.S. (Kids of Survival)
February 27, 2015, Bell Auditorium, Fountain Campus
Tim Rollins (BFA, SVA) launched the Art and Knowledge Workshop in 1984 with at-risk students in the Bronx who called themselves K.O.S. (Kids of Survival). The group has exhibited at the Smithsonian American Art Museum (2011), Galleria d’Arte Moderna e Contemporanea, (2011), Museum fur Gegenwartskunst (2012), and Hayward Gallery (2012). Their work is included in collections at the Dallas Museum of Art, Museum of Modern Art, Hirshhorn Museum of Art, and the Tate Modern. Tim Rollins and K.O.S. are based in New York City.
April 4, 2014, Bell Auditorium, Fountain Campus
Spencer Finch was born
in 1962 in New Haven, CT and lives and works in Brooklyn, NY. He studied at the
Rhode Island School of Design, Hamilton College, and Doshisha University in
Kyoto, Japan. Finch has exhibited
internationally since the early 1990s. He has completed recent projects at the
San Francisco Museum of Modern Art, FRAC Basse-Normandie and the Montclair Art
Museum in Montclair, NJ.
Oliver Ressler - Artist and filmmaker
February 27, 2014, Bell Auditorium, Fountain Campus
Oliver Ressler, born in 1970, lives and works as an artist and filmmaker in Vienna, Austria, and produces exhibitions, projects in the public space, and films on issues such as economics, democracy, global warming, forms of resistance and social alternatives. His projects have been in solo exhibitions at the Berkeley Art Museum, USA; Platform Garanti Contemporary Art Center, Istanbul; Museum of Contemporary Art, Belgrade; Centro Cultural Conde Duque, Madrid; Alexandria Contemporary Arts Forum, Egypt; Bunkier Sztuki Contemporary Art Gallery, Krakow and The Cube Project Space, Taipei.
Ressler has participated in more than 250 group exhibitions, including the MASSMoCA, USA; Itaú Cultural Institute, Sao Paulo; National Museum of Contemporary Art, Athens; ZKM, Karlsruhe; Van Abbe Museum, Eindhoven and at the biennials in Prague (2005), Seville (2006), Moscow (2007), Taipei (2008), Lyon (2009), Gyumri (2012), Venice (2013) and Athens (2013). A retrospective of his 17 films took place at Centre d’Art Contemporain Genève throughout 2013. For the Taipei Biennale 2008, Ressler curated an exhibition on the alter-globalization movement, A World Where Many Worlds Fit, which in 2010 traveled to the Foreman Art Gallery of Bishop University, Sherbrooke, Canada. A traveling show on the financial crisis, It’s the Political Economy, Stupid, co-curated with Gregory Sholette, was presented at the Centre of Contemporary Art, Thessaloniki and Pori Art Museum, Finland. Their book, It’s The Political Economy, Stupid: The Global Financial Crisis in Art and Theory, was published by Pluto Press in 2013. For more information, visit: www.ressler.at.