My practice is a hybrid—piecing together words, sounds, images, and technologies both created and found using methods including historical and theoretical research, bricolage, improvisation, synthesis, and iteration. I look for the poetics in the everyday, in hidden infrastructure, in forgotten technologies and alternate presents and futures.
I draw influence from the history of conceptual art, including proto-computational practices of artists like Sol LeWitt, Agnes Denes, Tony Conrad and the experimental improvisation practices of groups like The Nihilist Spasm Band. My research is broad and eclectic, including major influences from science-fiction writers Ursula LeGuin and William Gibson, as well as theorists including Jane Bennett, Alexander R Galloway, Kathleen Stewart, and more.
