There two lectures in this series:
Lecture 1: The History of Brooches from Bronze Age to Contemporary Art
Wednesday, September 24 – 6pm
Bell Auditorium
Open to the public
The lecture takes the audience on a condensed journey throughout 5000 years of history and development of the brooch: from its early Bronze Age forms as a fibula, through the era of medieval breast pins and baroque Sévigné-brooches to the political and social statements of buttons and badges in the 1960s and finally to the brooch as one category of contemporary jewellery. The aim of this lecture is: to realize the roots and different stages of function, meaning and symbolism of the brooch and to point out why it is important to integrate backside and pin mechanism into the overall design of brooches in contemporary art jewellery.
Lecture 2: Connections in the Context of Contemporary Jewellery Design
Thursday, October 2 – 12pm
The Institute (location TBC)
Open to the public
This lecture looks on the subject of connections with the eye of a jeweller, but encourages a broader perspective onto the cosmos of connections surrounding us in daily use objects and also in a wider sense. A connection serves the purpose of making two or more separate details become a part of a bigger union. Connections can be mechanical, chemical, biological, social, philosophical or metaphysical. There are many different types of connections: fixed and mobile, material and immaterial, rational and emotional, reversible and irreversible, direct and indirect, visible and invisible. In jewellery we work with lots of connections: “hot“ connections like soldering, welding or casting and “cold“ connections using rivets, screws and nails or we can glue or stitch things together; we connect loops into each other, make connections through slots or close necklaces by hook and eye, but there are also contextual or formal aesthetic connections in the composition of jewellery pieces. This lecture is an invitation to consciously look around and find inspiring ways of connections.