Spring Maker’s Market
March 31, 2025
Spring is here and we’re thrilled to invite you to our Port Campus on Saturday April 5, 2025, from 11 a.m. – 5 p.m. to
Spring is here and we’re thrilled to invite you to our Port Campus on Saturday April 5, 2025, from 11 a.m. – 5 p.m. to
Somewhere between textile and print, craft and fine art, preservation and loss—that’s where Julie Rosvall works. Printmaking had always intrigued her. When she saw Betty
NSCAD Masters of Design (MDes) students will each present a chapter of the book “The Innovator’s DNA – Mastering the five Skills of Innovation,” followed
Amy Spiers engages in creative, practice-led research that explores how public and socially engaged art might generatively address difficult colonial histories, ongoing injustices and social
Portraiture, representations of women, and figures in nature are recurrent subjects in Marisa Portolese’s artistic practice. Autobiography and familial and cultural heritage are equally prominent
My current focus is researching haute couture techniques throughout the last century; with the knowledge I gather, my following collection will focus on blending Eurocentric
Chantal Gibson is a poet-artist-educator living on the lands of the Coast Salish Peoples. Working in the overlap between literary and visual art, her practice
My interdisciplinary practice addresses how aspects of gender, power, and desire are embodied and circulated. Using the strategies of montage and collage, my material is
Spring is here and we’re thrilled to invite you to our Port Campus on Saturday April 5, 2025, from 11 a.m. – 5 p.m. to
Somewhere between textile and print, craft and fine art, preservation and loss—that’s where Julie Rosvall works. Printmaking had always intrigued her. When she saw Betty
NSCAD Masters of Design (MDes) students will each present a chapter of the book “The Innovator’s DNA – Mastering the five Skills of Innovation,” followed
Amy Spiers engages in creative, practice-led research that explores how public and socially engaged art might generatively address difficult colonial histories, ongoing injustices and social
Portraiture, representations of women, and figures in nature are recurrent subjects in Marisa Portolese’s artistic practice. Autobiography and familial and cultural heritage are equally prominent
My current focus is researching haute couture techniques throughout the last century; with the knowledge I gather, my following collection will focus on blending Eurocentric
Chantal Gibson is a poet-artist-educator living on the lands of the Coast Salish Peoples. Working in the overlap between literary and visual art, her practice
My interdisciplinary practice addresses how aspects of gender, power, and desire are embodied and circulated. Using the strategies of montage and collage, my material is